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Best Of Sizzla The Story Unfolds., Label: Release Date: 23rd April 2002 Best Of Sizzla The Story Unfolds. Tracklisting 1. No White God Original.
The first time I got introduced to the works of a, at the time, young singer calling himself 'Sizzla Kalonji' was when I heard the album Black Woman & Child somewhere in the mid to late 90s. I was very impressed with what I heard and ever since started following the musical output of this man from August Town, Jamaica.
Lots can be said about his varying output from his debut Burning Up (1995) 'til his latest The Messiah (2013), but here I'd like to focus on the years that I and many with me consider his best: 1995 - 2002. He truly made classic tunes and albums in those years, mainly but not solely for producers Philip 'Fatis' Burrell and Bobby 'Digital B' Dixon. In this set of 2 mixes I like to showcase the early works in roots of Sizzla Kalonji & Bredren. It started off as a single-mix-effort, but after reaching the 80 min mark on the first, I had too many superb tunes left that had to be included, so a 2nd mix was born. I still had to leave out many killer tunes I highly rate, but felt 2 was enough for now. It does say something about the quality of his output of those days!
The choice of tracks is based on my personal preference, diversity in the mix and the vibe of the moment. I'm not a fan of Sizzla in his falsetto style, so left tunes with that out. A tracklist like this is surely debatable, but for now it all lead to this and good music it is! Finding next tracks on riddims or even some dubs has been very time consuming, but very enjoyable to do: hadn't focussed this much on that time period in a while and man, what a pleasure it was to delve into it. Very hard to mix right at points too, due to the included tunes from other artists on the same riddims being mixed totally different (especially with Xterminator, love that attention they gave to every single tune in those days!) or coming from different albums with a different final mixing. I decided to strictly use tunes I have on original format (so no downloads), be it CD, LP or 45s and combined some with other tracks and/or dubs on the same riddims for a diverse, quality journey through the works of Sizzla Kalonji and with that through JA music of 1995 - 2002.
Next artists include Luciano, Cocoa Tea, Anthony B, Admiral Tibet, Capleton, Jah Cure, Prince Malachi, Morgan Heritage and more. Mixes are in the usual BMC-style: no full tunes, one continuous 80 minute mix each with soundsamples here and there and with sources given for each track.
Big up to my mate Andre who helped in the riddimspotting and provided a couple of original CD's for use in the process! What I try to achieve with my mixes is to show listeners the lovely music that is out there, to make listeners enjoy themselves through the power of the music and last but not least to hopefully introduce listeners to artists, riddims, tunes, producers and / or labels that they otherwise might not have heard of and with that possibly a bit of extra exposure maybe even leading to people buying, visiting shows or at least following those involved more closely.
I'm very pleased to have had numerous compliments and comments of appreciation from people in the business (artists, producers and label-owners from JA, UK and EU) encouraging this way of using their music for more exposure and as appreciation for their works! Thanks to all listeners for your support, but also to all included artists, producers, musicians and labels for the great music!For info, contact or promo-material you'd like me to use in a mix send me a mail at:bmc.blog (at) gmail (dot) com.
To be elegible for this price, Add to CartThe leader of the Bobo Dread contingent continues to flirt with overexposure on this, his fifth release of 2002 (not counting Best of Sizzla: The Story Unfolds, also released in 2002). Luckily, Sizzla's energy seems to be unlimited and his bag of lyrics bottomless.
And producer Bobby Digital appears to have an equally unlimited supply of neo-roots rhythms on hand; this is not the usual grab bag of familiar rhythms delivered in lackluster computer renderings, but a generous program of generally new and original instrumental arrangements played by actual human beings (and produced in the digitally clean style that is Bobby Digital's trademark). Not surprisingly, Da Real Thing continues in roughly the same vein as, er, last month's Ghetto Revolutionary: the 'fire bun' rhetoric is still present, but no longer as fierce or prominent as before, and there are several tender love songs in place of the strident sexual lectures in which he and his brethren generally indulge. One of the album's most touching songs is 'Thank U Mamma,' in which he specifically thanks his mother for putting up with him in the womb for nine months and for preparing him to be a good husband and father. Zion' is a powerful chant of resistance to the blandishments of Babylon, while 'Boom & Go Through' sets similar sentiments to a strutting hip-hop beat. The album closes with the surprisingly sensual (but musically weak) 'Touch Me,' on which he teams up with singer Rochelle. Releasing albums at this rate may not be the smartest long-term marketing move for someone in Sizzla's position, but it's hard to imagine a fan of neo-roots reggae who's going to complain. Rick Anderson.
Your browser does not support the audio element. Album DescriptionThe leader of the Bobo Dread contingent continues to flirt with overexposure on this, his fifth release of 2002 (not counting Best of Sizzla: The Story Unfolds, also released in 2002). Luckily, Sizzla's energy seems to be unlimited and his bag of lyrics bottomless. And producer Bobby Digital appears to have an equally unlimited supply of neo-roots rhythms on hand; this is not the usual grab bag of familiar rhythms delivered in lackluster computer renderings, but a generous program of generally new and original instrumental arrangements played by actual human beings (and produced in the digitally clean style that is Bobby Digital's trademark). Not surprisingly, Da Real Thing continues in roughly the same vein as, er, last month's Ghetto Revolutionary: the 'fire bun' rhetoric is still present, but no longer as fierce or prominent as before, and there are several tender love songs in place of the strident sexual lectures in which he and his brethren generally indulge. One of the album's most touching songs is 'Thank U Mamma,' in which he specifically thanks his mother for putting up with him in the womb for nine months and for preparing him to be a good husband and father.
Zion' is a powerful chant of resistance to the blandishments of Babylon, while 'Boom & Go Through' sets similar sentiments to a strutting hip-hop beat. The album closes with the surprisingly sensual (but musically weak) 'Touch Me,' on which he teams up with singer Rochelle. Releasing albums at this rate may not be the smartest long-term marketing move for someone in Sizzla's position, but it's hard to imagine a fan of neo-roots reggae who's going to complain. Rick AndersonAbout the album.
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1 disc(s) - 15 track(s). Total length: 00:55:56. Main artist:. Label:. Genre. 2002 Vp Music Group, Inc 2002 Vp Music Group, IncWhy buy on Qobuz. Stream or download your musicBuy an album or an individual track.
Or listen to our entire catalogue with our high-quality unlimited streaming subscriptions. Zero DRMThe downloaded files belong to you, without any usage limit. You can download them as many times as you like. Choose the format best suited for youDownload your purchases in a wide variety of formats (FLAC, ALAC, WAV, AIFF.) depending on your needs. Listen to your purchases on our appsDownload the Qobuz apps for smartphones, tablets and computers, and listen to your purchases wherever you go. The Dark Side of the Moon: An Astronomical SuccessPink Floyd's ground-breaking album The Dark Side of the Moon was the result of a long creative process that began around 1968. A Saucerful of Secrets (the main track from the eponymous album) was, for Nick Mason at least, where it all began.
Their next album Ummagumma (1969) gave each band member the opportunity to create a solo piece, though they would have to combine their talents if they wanted to hit the jackpot. Pink Floyd continued to search for the perfect record with Meddle, an album which highlighted their skills in the studio, and Atom Heart Mother, before they reached nirvana with The Dark Side of the Moon. And the album’s perfection hasn’t faded one bit, even forty-five years after its release.
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